If you have ever seen some of the old TV comedies there is a
chance you may have seen an episode or two where they spoof silent
movies. In general the parody consists of a lot of title cards and
plenty of melodramatic acting.
In many instances they were not
that far off the mark. Some silent films because of the story or a
director that lacked imagination would use a ton of title cards to get
the narrative across.
Sometimes it's a contest to find out what you will see more of the actor's on the screen or the dialogue cards. It's a given with the nature of silents that there must be a certain amount of explanation so audiences could understand what was going on.
Sometimes it's a contest to find out what you will see more of the actor's on the screen or the dialogue cards. It's a given with the nature of silents that there must be a certain amount of explanation so audiences could understand what was going on.
However people like
Charlie Chaplin showed what was possible. Chaplin was able to make
feature length films let alone shorts with the minimum of title cards
hereby demonstrating the power of pantomime to carry the narrative.
And
his pantomime did not really consist of wild overblown gestures with
bug-eyed facial expressions. Charlie Chaplin's acting could be as
naturalistic as any actor that came after him. The same goes for
America's Sweetheart Mary Pickford. She foregoes many of the
melodramatic tendencies and hones in on more true to life style.
Pickford
like Chaplin would from time to time exaggerate their countenance as
well as body language but more often than not it was done to create a
certain effect and then it was back to the natural.
Douglas
Fairbanks goes back and forth between these two worlds in Mark Of Zorro.
In one scene Fairbanks as the mild mannered Don Diego Vega meets up
with some villainous soldiers who demonstrate to him what they are going
to do if they ever catch up with Zorro.